Video: Climate change’s impact on tropical forests

In Peru's Amazon jungle with biologist Miles Silman.

In Peru’s Amazon jungle with biologist Miles Silman. Photo by Ken Feeley.

My reporting on the impact of climate change on tropical forests such as those in Peru’s Amazon Basin was sponsored in part by the Pulitzer Center on Crisis Reporting in Washington, D.C. This invaluable organization makes it possible for freelance foreign correspondents to cover important stories around the world that otherwise would go unreported. Each Pulitzer reporter is asked to produce a Meet the Journalist video that explains his or her project.

My video is here, produced by Meghan Dhaliwal of the Pulitzer Center.

Will Climate Change Imperil Your Cup of Starbucks?

This broad-leafed plant in the rubiaceae, or coffee, family was spotted at 8,000 feet elevation in the Amazon basin of the Peruvian Andes. Such species are not normally seen at such high elevations. Photograph by Justin Catanoso

This broad-leafed plant in the rubiaceae, or coffee, family was spotted at 8,000 feet elevation in the Amazon basin of the Peruvian Andes. Such species are not normally seen at such high elevations. Photograph by Justin Catanoso

I wrote this story for National Geographic NewsWatch following news coverage of a UN report that spelled out how global warming is endangering future food supplies.

Excerpt: “As I learned in my reporting last summer, (2013) in temperate or cold climates, trees and plants are adapted to wide temperature ranges and can migrate to latitudes for many miles north to stay in their ecological comfort zones. In the tropics, where most of the world’s biodiversity exists, trees and plants live in extremely narrow temperature ranges. To survive, they will need to reproduce in higher altitudes where space is far more limited and upslope soils might not be accommodating – hence the possible threat to coffee growing in the future.”

WUNC: How Is Climate Change Affecting Tropical Forests?

The view from 13,000 feet in Manu National Park, Andes Mountains, southeastern Peru.

This radio report (7:17 minutes) for WUNC-North Carolina Public Radio overviews my climate change reporting in summer 2013 from the Amazon basin of Peru. It discusses the implications of upslope tree migration in the Amazon jungles as a result of warming temperatures.

The second recording (12 minutes) is of Wake Forest biologist MIles Silman and me on the afternoon news program at WUNC, The State of Things, with Frank Stasio, discussing the same topic.

Wake Forest biologist Miles Silman in the Peruvian cloud forest.

Photos by Justin Catanoso

Rain forest plants race to outrun global warming

Tagged trees in the Amazon rainforest.

Tropical plants are migrating due to climate change, but can they move fast enough?

Tropical biologists are coming to understand the impact of of global warming on our warmest climates.  Given the enormous importance of tropical forests in places such as the Amazon basin of Peru, where I spent more than two weeks in July 2013, to influence weather patterns, the water cycle and carbon storage from greenhouse-gas emissions, there is much at stake. My story here on National Geographic News explains.

Photo by Justin Catanoso

Entrepreneur Andy Zimmerman through the years

DSC_0006

Since first meeting Andy Zimmerman in 1999, I have chronicled his career as an inveterate entrepreneur, innovator and leading force within the paddlesports industry. Those columns and the dates they ran are listed here.

Photo by Justin Catanoso

Travels in Thailand: Lessons From the Reclining Buddha

Reclining Buddha of Wat Po

Our daughter, Emilia Catanoso, moved to Bangkok in October 2011 during the worst flooding in a century. We worried from afar, what with the dire images on the news. But when we spoke with Emilia, she sounded calm, extraordinarily so. She credited Buddha. No, she hadn’t converted to Buddhism. She wasn’t praying, chanting, or meditating. She was merely observing. When we visited her two years later, we understood. The story was printed in a custom travel publication for Wells Fargo. It’s below:

Travels in Thailand: Lessons From the Reclining Buddha

By Justin Catanoso

Our daughter arrived in Bangkok in October 2011 during the worst flooding in a century. We worried from afar, what with the dire images on the news. But when we spoke with Emilia, she sounded calm, extraordinarily so. She credits Buddha. No, she hadn’t converted to Buddhism. She wasn’t praying, chanting or meditating. She was merely observing.

When we visited her two years later, we understood.

No matter where you are in Thailand, you can no more escape the tranquil statues of Buddha than you can the omnipresent billboards and public shrines to the king or the ubiquitous 7-Eleven convenient stores. They are everywhere, especially Buddha. Standing. Sitting. Reclining.

During the floods, Emilia remembers seeing one of Thailand’s most famous statues, the reclining Buddha of Wat Lokayasutharam in Ayutthaya. It’s made of brick and plaster and stretches more than 120 feet long, its head propped up on its right hand and elbow.

As Emilia recalls, “The Buddha is outside and exposed to the elements. When Ayuttaya flooded, the water completely covered the base of the statue so it looked like the Buddha was resting on the surface of the water. People were floating by on long boats, seemingly taking no notice. I remember thinking it was a bizarrely placid image: a giant, sleeping Buddha, half-way submerged in waters that devastated so much of the country as people went about their business putting their lives back together.”

Thai people, Emilia would come to learn during her time living and working among them, have a uniquely Zen way of dealing with life’s constant, myriad challenges. Every Buddha is a reminder.

We had many reminders in Wat Po. That’s where Emilia led us when we traveled to Bangkok to visit her. One of the city’s most revered and popular attractions, Wat Po is a sprawling collection of temples named for the monastery in India where Buddha is believed to have lived.

Golden Buddhas, more than a thousand of them, can be seen everywhere. Their hands and fingers are positioned to signify different aspects of Buddha’s enlightenment.  A popular pose has Buddha sitting with his legs crossed, his left palm resting on his lap facing up, his right hand cupping his knee. This pose is Buddha calling the earth to witness the truth. It is pure serenity.

But people flock to Wat Po mostly for the giant reclining Buddha, which is more than 140-feet long, and at his head, nearly 50 feet tall. (When President Obama visited Bangkok shortly after his re-election, the Temple of the Reclining Buddha was his first stop).You remove your shoes before you enter the gilded temple and are immediately drawn to the Buddha’s lazy eyes and sweet, mysterious grin. His feet, with mother-of-pearl soles, are a block away. The only sound within is the soft chanting of the prayerful and the deep, resonating tones of coins being dropped into one of 108 bronze pots; donations are said to bring good fortune.

While some reclining Buddhas, with their left arm folded, represent the enlightenment that comes after death, the Reclining Buddha of Wat Po, his left arm resting on his hip, is merely sleeping. He seems to implore us to slow down, stay calm, move gently through the world.

Back on the streets of Bangkok, whether in a tuk-tuk or taxi, chaos reigned. I never experienced such gridlock. Every thoroughfare swarmed with cars, trucks and motorbikes belching exhaust. Yet in all this motorized, jostling frenzy of humanity, you rarely heard a horn leaned on in anger or saw a fist waving in road rage. There was a palpable peacefulness in this lack of hostility.

As Emilia learned and later reminded us, in Thailand, it’s the way of the Buddha.

Postcard from Florence, Italy: A new look at old art

Stretching my artistic boundaries in Florence, I explore a lesser-known Brancacci Chapel and the frescoes of the unheralded and massively influential Masaccio.  This story was originally printed in a custom travel publication for Wells Fargo.

Postcard from Florence, Italy: A new look at old art

By Justin Catanoso

Standing in the hushed and dimly lit Brancacci Chapel in Florence last August, I could only stare and wonder: How did I not know this guy? How, in the name of Italian renaissance art, had I, after decades of amateur study, missed the pioneering influence of one young 15th-century painter named Masaccio?

There are reasons, I suppose, like lingering on favorites at the expense of recognizing a central inspiration behind the artists I loved best. You see, in all my travels to Italy, I’ve been drawn time and again to the masters of the high renaissance, the guys whose greatest hits are known even to those who wouldn’t know a fresco from a can of Fresca. Like Leonardo and his famous dinner scene. Or Michelangelo and his fabulous ceiling. Their stories and rivalries in the early16th century I know well. But there were gaps in my historical knowledge brought on largely by my own choices: to understand Leonardo and Michelangelo better, I chose to go deeper, focusing my time in Italy on returning to their monumental achievements.

That’s just what I found myself doing during a recent visit to Florence. But in doing so, I got annoyed. I had to alter my plans. And before you knew it, I was gaining profound insights into my renaissance heroes. Let me explain.

In the decade since my last visit to Florence, the Tuscan city seemed somehow changed. Still crowded, yes, but now more chaotic, less charming. As I elbowed my way around the David, through the Medici Chapel and past the Annunciation – true magnets for devotees of Michelangelo and Leonardo – I sensed a fundamental error in my strategy. My treasures were the city’s most obvious treasures. Tour guides, their umbrellas raised, guided their hordes like cattle to the very spots where I wanted to stand quietly and ruminate. No chance.

So I scanned my guidebook and spotted an attraction I had ignored before. On the south side of the Arno, it had seemed too far, too obscure to bother with. A small chapel decorated in the 1420s by a guy whose name I barely knew? It was 100 years outside my historical sweet spot. I passed then. But this time, hemmed in and impatient, I stretched my boundaries, geographically and artistically.

When I reached the Brancacci Chapel, inside the Church of Santa Maria del Carmine in the little-traveled Oltrarno neighborhood, a few people were already there, rapt in their silence and attention. They weren’t just viewing this astonishing, world-changing set of frescos, they were absorbing them. Just one look at one panel – an agonized and naked Adam and Eve weeping and wailing as they walk from the Garden of Eden – offered an epiphany. Nearly 600 years old, it would look no different if it were painted today.

On the spot, I learned that Masaccio, just 21 at the time, had singlehandedly lifted painting out of the dark ages, out of the stiff, rooted, two-dimensionality of the early renaissance and gave it form, perspective, movement and real human emotion. For more than an hour, I stared at his half dozen panels. The closer I looked, the more I could see something that wasn’t precisely there —  a bridge to the future, a clear connection to the pieces I knew well and loved best. Visari, the great renaissance historian, explained why: “All those who endeavored to learn the art of painting have always gone for that purpose to the Brancacci Chapel to grasp the precepts and rules demonstrated by Masaccio for the correct representation of figures.”

My renaissance heroes, Leonardo and Michelangelo, had once stood where I was standing, Visari noted. They had stared at the same panels. They saw the bridge Masaccio constructed. And thus inspired, they strode across it to further greatness. They knew. Now I knew.

Midas touch: Olympic-sized goals for Greensboro gold medalist

Since winning a gold medal in the men’s 500 meter speedskating race at the 2006 Winter Olympics, Greensboro native Joey Cheek has given motivational speeches, graduated from Princeton University and started his own sports-related website.

My October 2011 interview with renowned Greensboro speedskater and Olympic Gold medalist Joey Cheek about life after the medals. The story is here.

Excerpt: “Joey Cheek has done a lot since he grabbed the nation’s attention in 2006 by winning a speedskating gold medal in the Winter Games in Turin, Italy, and then donating his prize money to draw attention to the war-ravaged Sudanese region of Darfur. He raised more than $1.5 million for that cause, with $300,000 coming from his hometown of Greensboro. He graduated from Princeton University, majoring in economics and Chinese. He’s delivered scores of motivational speeches to corporate audiences nationwide. He became an entrepreneur, founding a sports-related website.”